Utopia

(1516) Thomas More

“And I’ve no doubt that either self-interest, or the authority of our Saviour Christ – Who was far too kind to recommend anything else – would have led the whole world to adopt the Utopian system long ago, if it weren’t for that beastly root of all evils, pride.  For pride’s criterion of prosperity  is not what you’ve got yourself, but what other people haven’t got.  Pride would refuse to set foot in paradise, if she thought there’d be no under-privileged classes there to gloat over and order about – nobody whose misery could serve as a foil to her own happiness, or whose poverty she could make harder to bear, by flaunting her own riches.  Pride, like a hellish serpent gliding through human hearts – or shall we say, like a sucking-fish that clings to the ship of state? – is always dragging us back, and obstructing our progress towards a better way of life.”

More’s the man.

A Triad of Marxist Classics

Manifesto of the Communist Party (1848), Karl Marx & Friedrich Engels

Value, Price and Profit (1865), Karl Marx

Wage-labour and Capital (1847-1849), Karl Marx

When told what has been occupying me for several hours today, several people reacted with surprise: “You mean you haven’t read that before!?”  (Parenthetically, it turned out on each of these occasions that the disappointees had themselves, in point of fact, never read the Manifesto or the other works either.)  So now I have.  The comments below are highly simplistic, and I am almost embarrassed to reveal them here. Continue reading A Triad of Marxist Classics

A curt note on the film ‘Avatar’

When Cameron’s Avatar came out, I could find no-one to go and watch it with.  The price of being steeped in Seattlelite counter-culturalism, probably.  Personally, I thought it would be cool to go and watch a mainstream film.  (I call this inclination counter-culturalism-squared.)  Anyway, when, months later, I was finally afforded the possibility of viewing it with a couple of 5-year-olds, this is what I thought:

“Avatar is awesome”.

That’s right.  And on this issue, I’ll take on any of you tree-huggin’ hippies out there.  (First, I’d kick your ass at tree huggin’).

Next, I’d agree that, yes, Avatar is a block-buster movie and thus part of the unsustainable capitalist empire etc. etc.  And yes, no trace of artistic nuance graces the leveraging of archetypes (good|evil; hero-stranger|chieftain’s daughter; etc.|etc.) in Avatar’s rather planar plot.

But consider which entities occupy the archetypes.  Consider the themes that Avatar uses to exploit emotional capital.  Wait, humans as the bad guys?  Indigenous rights, anyone?  Resource exploitation?  These are the issues which speak to the 21st Century’s global audience?

Sure, I’ll go out and say it out loud: Avatar is symptomatic of … of … the changing World Spirit, if you will.  The tide is on Our side.

Sex at Dawn

(2010) Christopher Ryan & Cacilda Jethá

So.

So this is a rather ballsy work.  In varying depth, Ryan & Jethá aggressively attack several scientific consensuses, all orbiting within the broad ambit of human sexuality.  A light-hearted writing style makes this a highly accessible work.  Below, I focus on some of the key assertions and arguments of interest.

Primary amongst the traditional views attacked, and the books main target, is the idea that humans evolved from a monogamist prehistory – a period the authors peg as the 200,000 years immediately prior to agriculture and writing. (It is interesting to note how this disparate pair of technologies is often conjoined by use of this sense of the term).  In strong contrast to todays western nuclear family, the authors posit that “the ‘natural’ family structure of our species” is one that enjoys “easy acceptance between adults and unrelated children, the diffuse nurturing found […] where children refer to all men as father and all women as mother, […] small and isolated enough to safely assume the kindness of strangers, where overlapping sexual relationships leave genetic paternity unknowable and of little consequence …”.  The modern pair-bond is painted as a distortion brought about by recent transition to sedentary agriculture. Continue reading Sex at Dawn